Martha Atienza is a Philippines-based artist whose video work documents issues of the environment, community, and development within her island home. Her observational lens takes on both ecological and sociological concerns as she studies the intricate interplay between local traditions, human subjectivity, and the natural world. By deeply examining the patterns within her immediate surroundings, Atienza explores the potential that the video medium holds as a catalyst for societal transformation. She was twice awarded the Ateneo Art Awards in Manila (2012/2016) and the Cultural Center of the Philippines Thirteen Artists Award (2015). Recent biennials and triennials include the 2nd Diriyah Contemporary Art Biennale, Riyadh (2024); 17th Istanbul Biennial, Istanbul (2022); Bangkok Art Biennale, Bangkok (2020); Honolulu Biennial, Oahu, Hawaii (2019); and the 9th Asia Pacific Triennial of Contemporary Art, Brisbane (2018).

In addition to her art practice, Martha Atienza is the president and co-founder of GOODLand, a platform under her Art Lab that develops and applies a creative and collaborative methodology utilized to tackle social, economic and environmental issues on Bantayan Island in the Visayas, Philippines. Its mission is to facilitate the realization of an empowered, self-sufficient, and resilient community.