Chun Hua Catherine Dong (she/they) is a Chinese-born Tiohtià:ke/ Montréal-based multimedia artist. Dong’s artistic practice is based in performance art, photography, video, VR, AR, and 3D printing within the contemporary context of global feminism. Body is political. Dong began their artistic career as a performance artist. Working within the gap between body as image and body as experienced reality, Dong uses the body—often their own body— as a visual territory in their work and a primary material to activate social commentary on gender, identity, and immigration. By encapsulating these global issues in microcosm or magnifying personal predicaments until they become universally visible, Dong presents the body as an embodiment of dynamic human relations, locating themselves at the nexus of author, artwork and audience.

Dong received an MFA in Intermedia from Concordia University and a BFA at Visual Art from Emily Carr University Art & Design in Canada. Dong has exhibited their works at The International Digital Art Biennial Montreal (BIAN),  The International Biennial of Digital Arts of the Île-de-France (Némo), MOMENTA | Biennale de l’image, Kaunas Biennial, The Musée d’Art Contemporain du Val-de-Marne in France, Quebec City Biennial, Foundation PHI for Contemporary Art, Canadian Cultural Centre Paris, Museo de la Cancillería in Mexico City, The Rooms Museum, Canadian Museum of Immigration at Pier 21, DongGong Museum of Photograph in South Korea, He Xiangning Art Museum in Shenzhen, Hubei Museum of Fine Art in Wuhan, The Aine Art Museum in Tornio, Bury Art Museum in Manchester, Art Museum at University of Toronto, Varley Art Gallery of Markham, Art Gallery of Hamilton, and more.